Gunpowder Milkshake: A Vanilla Crime Thriller (Movie Review)
By Troy Ribeiro: Film: Gunpowder Milkshake (theatrical release); Duration: 114 minutes; Director: Navot Papushado; Cast: Karen Gillan, Lena Headey, Carla Gugino, Chloe Coleman, Michelle Yeoh, Angela Bassett, Paul Giamatti and Ralph Ineson; Evaluation ***
The two jars of vanilla ice cream on a fridge rack, seen in one of the scenes from the film, scream to be recognized. Ah, yes, vanilla is the essence of this crime thriller.
Set in the city slums, “Gunpowder Milkshake” is the story of Samantha aka Sam (Karen Gillan), an assassin who follows in her mother’s footsteps by working for a notorious criminal agency called “The Firm”.
Like his mother Scarlet (Lena Headey), who died 15 years ago, Sam is an ace assassin “with quite a reputation”. At the agency, she reports and is protected by her mother’s friend Nathan (Paul Giamatti).
While performing a mission, Sam mistakenly kills the son of Jim McAlester (Ralph Ineson), a rival hub. This puts The Firm in a sticky situation and the “Bosses” want to get rid of it. But, in order to save Sam and appease his bosses, Nathan sends Sam on another mission – to recover the money stolen by The Firm.
When Sam reaches the location and gets into a fight, she accidentally shoots the thief, who reveals to him that he stole the money because his daughter Emily (Chloe Coleman) had been kidnapped. This revelation causes a change in Sam, who does everything to save the child. Vowing to keep Emily alive, Sam becomes a thug.
Meanwhile, McAlester and his boys grow closer to Sam and Emily when Scarlet resurfaces in Sam’s life. Along with her three friends – Anna May (Angela Bassett), Florence (Michelle Yeoh) and Madeline (Carla Gugino), who direct “The Library,” a front for an armory – Scarlet comes to Sam’s rescue.
Despite a cold-blooded killer trope looming over the narrative, the film focuses on the emotional mother-daughter bond between Sam and Scarlet, and the brotherhood between Scarlet and her friends. There’s also Sam’s Redeeming Arc – from being a “cold-blooded killer” to a “cold-blooded killer with a conscience” – which takes center stage once Emily steps into the room. Sam’s life.
Layered with heavy metallic music, the film is elegantly edited with seamlessly choreographed blood-splatter action sequences in a variety of settings, from a neon-lit bowling alley to a mall parking lot, to a clinic. dental. It’s fun to watch women fight men and some of the brutal fight shots are skillfully captured. While these occasional blasts of violence seem exciting, the end result is predictable, with enemies dropping dead.
Performance wise, each of the actors is engaging and has their dynamic moments of glory on screen. They all seem to be shallow, harsh, impatient, smug, and quite one-dimensional.
Overall, while the film is technically smart, the execution of most of the scenes seems like overkill and already seen, so much so that you’ll try to remember it while watching the film. Few of the similar films that immediately come to mind are the series ‘John Wick’, ‘Kill Bill’ and ‘Leon The Professional’ by Luc Besson.
(Troy Ribeiro can be contacted at [email protected]) (IANS / 1 month ago) https://www.newkerala.com/hollywood-news.php